Height: 15 3/4 inches (40 cm)
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Created in 1901, this wonderful sculpture is of Charles Despiau’s muse, and later wife, Marie Rudel.
In the 1890s Charles Despiau made the acquaintance of Marie Rudel and she became his first model. He, in turn, fell madly and passionately in love with her and Despiau and Rudel married on June 30 1904.
Despiau made various sculptures of Marie during their time together and in 1900 one of these plaster versions was presented at the Paris Salon.
Despiau was a French sculptor who worked as Rodin’s assistant. He attended first the École des Arts Décoratifs and later the École nationale supérieure des Beaux-Arts. He began exhibiting at the Salon des Artistes Français, from 1898 to 1900; then at the less academic Société Nationale des Beaux-Arts, where he showed from 1901 to 1921, and finally to the Salon des Tuileries, where he exhibited from 1923 to 1944.
Rodin hired him as an assistant in 1907. Despiau worked with Rodin, as well as doing his own sculpture, until 1914, when he was drafted for service in the camouflage unit in World War I. Returning to sculpture after the war, his success was established with his one-man show at the Brummer Gallery in New York in late 1927. He died in Paris in 1946. Despiau was not a prolific sculptor, preferring to work for as long as it took to realize his vision. There are several surviving plaster statues which repeat a model with only slight variations. He is buried in the Mont-de-Marsan cemetery. He remains one of the major sculptors if not the greatest of between the wars but also of 20th century sculptures in France.
His works, mostly portraits and nudes exemplifying a calm classicism, are in the collections of over thirty museums in France and over 100 museums around the world, including the Metropolitan Museum of Art. The Museum of Modern Art in New York owns the bronze Assia, perhaps his best-known work. The largest collection is in his native Mont-de-Marsan, in a museum he shares with Robert Wlérick, established in the Donjon Lacataye. Despiau produced a total of 150 sculptures and 1,000 drawings over a fifty-year career.