Oil on board, signed lower right with initials
Image size: 11 x 37 ½ inches
Hand made frame
Labels to the reverse
One with title of work
One with her name and address in London
The Royal Academy own the mural that was commissioned from this work.
She had already been singled out by Charles Sims RA to contribute a seventeen-foot mural to the Royal Academy’s Arts and Crafts exhibition of the previous year. It represented ‘Work’ but, along with Sims’ thirty-foot wide canvas for the same show, was considered lost until both were discovered in 2015, rolled up on the floor of a basement packing area of the Royal Academy.
Zinkeisen’s full-scale mural has been nibbled around the edges, especially at the top and right-hand side, but what was either a study for it or a record of the composition survives in perfect condition, in the form of this present smaller oil on panel. It amply reveals her flair for design and lively sense of humour, with a clever combination of patterns, colour repetitions and variations across its surface. The three bowlerhatted city types, in their matching spats, are wittily echoed in the three labourer’s picks and even in the portly, bowler-wearing costermonger’s bananas.
The ladder at the left, the cart, the wheel and donkey, initiate the movement that drives the whole composition from left to right. The backward gesture of the costermonger only serves to emphasise the unstoppable momentum against the vertical intervals of the background buildings. It is a pageant of delightful variety, but one where all are caught up in that familiar morning rush: to work. Commentary by Robin Simon, Editor of The British Art Journal and Visiting Professor of English at UCL.
Doris Clare Zinkeisen was a Scottish theatrical stage and costume designer, painter, commercial artist and writer. Zinkeisen’s realist style made her popular as a portraitist and she became a well-known society painter.
Her sister was also a painter and both have works in many museums.
This is a rare example of her early work and captures the 1930’s period wonderfully. It depicts the different people that make city life.