Self Portrait

This portrait of the artist is deeply striking and well-composed. Fairfax Whiteside sits in a front-facing, direct position, claiming dominance over the painting’s oval shape. However, her face is tilted slightly to the side, creating a sense of thoughtfulness as the sitter gazes out of the canvas.

The work is compositionally outstanding. Fairfax Whiteside has utilised a simple colour palette of white, grey and black for her clothing, the flowers, and the patterned wallpaper background to ensure that all focus remains on her rosy face. The level to detail is striking, capturing the artist’s features with remarkable care. Areas of different skin shades represent how light and shadow is playing across her face, whilst areas of white are picked out in the reflection of her eyes and on her bright red lipstick. The flowers - placed symmetrically to not distract from the asymmetry of Fairfax Whiteside’s head tilt - are beautifully depicted, with each petal picked out. The fabric of her dress is rendered wonderfully, with folds and areas of light reflection detailed in such a way that it becomes tangible.

There is a real life-like quality to this work, and it is clear that Fairfax Whiteside took great pain to represent herself in such a beautiful and sympathetic manner.

Joan Fairfax Whiteside
Joan Fairfax Whiteside was a prodigious artist and illustrator. Born into an eminent Guernsey family, Joan Fairfax Whiteside was raised in a loving, but occasionally prohibitive, traditional home. Her youthful ambitions of becoming an actress or musician were discouraged by her father as unsuitable occupations. Fortunately, her hopes for an artistic career proved more successful – aided by a kindly uncle who offered to fund her tuition.

Exhibiting at The Royal Academy and Royal Society of Portrait Painters while also working as an illustrator, Fairfax Whiteside was both credible artist and commercial success. Her work so impressed one newspaper art editor that he was determined to raise her profile when he later became an art agent. With the advent of World War II, however, Fairfax Whiteside’s skills were destined for a more scientific end.

Fairfax Whiteside studied at Heatherley’s School of Fine Art in Chelsea, London. Founded in 1845, it was the first art school to admit women on equal terms with men. After graduating, she made great strides as an artist and illustrator, despite popular prejudice against women in the profession. Indeed, on her agent’s advice, Fairfax Whiteside judiciously signed her paintings ’J’ to conceal her gender.

In 1945, Fairfax Whiteside joined the Royal Air Force as a Voluntary Aid Detachment of the Red Cross. Posted to the RAF Hospital at Halton, she nursed injured airmen and turned her hand to medical illustration – documenting reconstructive surgery in forensic detail. She worked in this capacity throughout the war, for which she was awarded the Royal Red Cross Medal and a visit to Buckingham Palace to meet George VI. Later, she also became a founding member of the Medical Artists’ Association.Fairfax Whiteside passed away in 2001, leaving behind a strong legacy as a portraitist, medical artist and illustrator.